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Sample Work

Voltaire, Candide, illustrated by Raoul Serres, 1947. Full leather binding in Oregon buffalo. 18 x 23 cm (7” x 9”).

Voltaire, Candide, illustrated by Raoul Serres, 1947. Full leather binding, endpapers with leather joint. 18 x 23 cm (7” x 9”).

Max Jacob, Bien Aimé Raymond, illustrated by JM Queneau. Bradel in birch with Oasis goatskin spine and snakeskin ribbons. 28,5 x 20,5 cm (11 1/4” x 8”).

Max Jacob, Bien Aimé Raymond, illustrated by JM Queneau. Bradel in birch with Oasis goatskin spine and snakeskin ribbons. 28,5 x 20,5 cm (11 1/4” x 8”).

Sade, Oeuvres, illustrated by Giani Esposito, 1953. Full leather binding in white calfskin. 15 x 22 (6” x 8 1/2”).

Sade, Oeuvres, illustrated by Giani Esposito, 1953. Full leather binding, endpapers with leather joint. 15 x 22 (6” x 8 1/2”).

Pierre de Rossard, Les Amours (3 volumes), after the 1584 edition. Quarter leather binding in calfskin. 11 x 16 cm (4 1/2” x 6 1/2”).

Pierre Mrejen, 5 Nouvelles Conjurations. Open joint binding with spine in goatskin, covers in frog skin, and decor in snakeskin. 8,5 x 7 cm (3 1/4 x 2 3/4

Franz Toussaint, Le Livre de L'Éternité, 1929. Cross-structure binding in Chagrin goatskin. 11 x 15,5 cm (4 1/4” x 6 1/4”).

Monique Lepeuve, Les Mémoires de L'Oiseau Mendelssohn. “À Creneaux” binding with cover in polycarbonate and spine in PVC, airbrushed with automotive paint. 18 x 25 cm (7” x 10”).

Monique Lepeuve, Les Mémoires de L'Oiseau Mendelssohn. “À Creneaux” binding with cover in polycarbonate and spine in PVC, airbrushed with automotive paint. 18 x 25 cm (7” x 10”).

Monique Lepeuve, Les Mémoires de L'Oiseau Mendelssohn. “À Creneaux” binding with cover in polycarbonate and spine in PVC, airbrushed with automotive paint. Detail of headcap.

PaperRad, BJ and Da Dogs, 2005. “À Creneaux” binding with open spine in polycarbonate and PVC, airbrushed with automotive paint. 22,5 x 28 cm (9” x 11”).

PaperRad, BJ and Da Dogs, 2005. “À Creneaux” binding with open spine in polycarbonate and PVC, airbrushed with automotive paint. 22,5 x 28 cm (9” x 11”).

PaperRad, BJ and Da Dogs, 2005. “À Creneaux” binding with open spine in polycarbonate and PVC, airbrushed with automotive paint. Detail of headcap and open spine.

Samuel Becket, MAC, 1987. Slipcase with closure made in polycarbonate, lined in velour, and airbrushed with automotive paint. 20 x 19,5 cm (8” x 7 3/4”).

Samuel Becket, MAC, 1987. Slipcase with closure made in polycarbonate, lined in velour, and airbrushed with automotive paint. 20 x 19,5 cm (8” x 7 3/4”).

Samuel Becket, MAC, 1987. Slipcase with closure made in polycarbonate, lined in velour, and airbrushed with automotive paint. 20 x 19,5 cm (8” x 7 3/4”).

Francois Villon, Les Oeuvres. Full box calf leather with blind and ash tooling. 19 x 28,5 cm (7 1/2 x 11 1/4

PaperRad, BJ and Da Dogs, 2005. Full embossed leather binding with colored foil tooling (title). 22 x 28 cm (8 1/2 x 11

PaperRad, BJ and Da Dogs, 2005. Open-joint binding with buffalo leather. 22 x 28 cm (8 1/2 x 11

Dictionnaire de l'Amour par l

J. Cazotte, Le Diable Amoureux. Full Oasis goat leather with 4 raised bands. 12 x 19 cm (4 3/4 x 7 1/2

Sterne, Voyage Sentimental. Full long-grain goat leather. 7,5 x 13,5 cm (3 x 5 1/4

Gustave Flaubert, Madame Bovary. Full buffalo leather binding with decor in salmon skin. 14 x 20 cm (5 1/2 x 7 3/4

Albert Camus, L'Etranger, 1946. Full cloth binding. 13 x 20 cm (5 x 8

O.-L. Aubert, Legendes Traditionelles de la Bretagne. Full cloth binding with decorative title piece. 11,5 x 19 cm (4 1/2 x 7 1/2

Alexandre Dumas, De Paris à Cadix, illustraed by Joseph Hemard, 1930. Cross-structure binding in Chagrin goatskin. 13 x 19 (5” x 7 1/2”).

Un Petit Brevaire du Marriage. Bradel with raised boards in Chagrin goat leather. 8 x 13 cm (3 1/4 x 5

Gerbert de Montreuil, Le Roman de la Violette. Full Oasis goat leather with decorative tooling. 13 x 19,5 cm (5 x 7 1/2

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